I have an inherent need to communicate and express something. I am constantly looking for a new way to read the world to understand the physicality of forms. I see my practice as an exercise of being a painter/curator of moments of our lives; reclaiming a more agreeable melody, restoring, reordering and decluttering to focus on what is truly important.
By focusing on the space and the possibilities of structure and composition, I hope to emphasise the beauty and harmony from the chaos in the city, to invoke a new reading of its noise, movement and pattern. By revealing things through a slow open process, my work uncovers the importance of the positive and negative space. Where rhythm, colour and form play off each other, and each shape takes it configuration and meaning from the next, as a metaphor for the qualities of a seductive poem or an intriguing piece of music.
There is truth in the paintings as I try to deal with the present tense and how these ephemeral junctures were for me. A situation and context where discoveries and revelations happen. There is a layered time as I grapple with evidence of awkward moments, aspects of failure and changes of direction. Leaving the physical traces of responding to mistakes, that relate to intrinsic qualities of being human.
Often I think viewers look at works of art and immediately ask themselves why did the artist make this? Understanding the original idea or intention of why I made it defeats my ambitions for this artwork. Instinct led me to paint this painting. My aims are never going to be clear.
“the only thing that matters in art is what that cannot be explained.”
A person viewing an artwork comes to see the work with their own unique background, knowledge, and history. Art does not have a purpose and function like a design. It is not essential to try and understand why I made this artwork. The artwork now exists on its own, and it has to stand up by itself.
Everyone sees things differently. Two things are put together, and they create meaning. The best artworks in my eyes mean different things to different people.
Like Duchamp said;
“the artist has only 50% of the responsibility and that is to get the work out, it is completed by the viewer.”
I’m interested in this part of myself where this artwork comes from. The parts of life I am curious about exploring and that I am hung up on. I’m not in control of what comes out. Creativity is instinctive, and it is buried within me.