I avoided practising my reading and writing skills as I grew up. I easily slipped through the net due to changing schools several times. It took me a long time to read a book, however, I started to enjoy reading in my twenties. At 27 years old I was diagnosed with dyslexia. It took me a while to realise that dyslexia wasn’t going to stop me.
I didn’t enjoy writing before I had a blog. I always felt my writing was poor. The way I used to get my ideas down on paper was confused and in a jumble. In spite of that, I believed that my ideas and content were good. It used to take an enormous amount of hard work to take my ideas and make them into a finished piece of writing.
It is almost impossible to become an artist without being able to communicate clearly. I needed to not only to be able to write about my work but also talk about it. Hearing that there are lots of successful people with dyslexia encouraged me. I thought to myself, ‘It didn’t hold them back, so it isn’t going to hold me back! I need to face my fears”
The only way I was going to improve was through practice. One of the main reasons l started writing my blog was for myself, for my own improvement.
My purpose and the reasons why I write has developed over time. Now use my blog to explain and demystify how to establish a successful artistic practice. I give a raw unfiltered analysis, sharing what I find with others in order to help them develop a way forward with making art and becoming successful. Through collaborating as artists, we can figure things out together. When you read, comment or purchase a work of mine you are collaborating with me on this journey.
In the beginning, writing this blog stuartbushstudioblog.com was like a type of therapy. However, because of this journey, of facing what I fear, I now feel stronger as an artist. The best part is that I now enjoy writing! I wonder if I have a book in me.
My motivation as an artist has to do with my intense need to communicate something that only I can do or say. I have a meaning to fulfil through my work, and I am declaring that as an artist that I am responsible for finding answers.
Painting is the best way for me to communicate. I believe that painting and playing with form has the potential to capture the most important kinds of expression. I see it as a foundation for thinking itself and solving life’s complexities.
I’m interested in expressing the physical vigour of the human body in the city landscape as a means of exercising the freedom and dynamic expressions of space. Through my work, I am confident I can widen and broaden the visual field, thereby revealing a whole new spectrum.
The outcome of my work evokes a surprise and a revelation to me in much the same way as it does to the viewer. The finished painting is never good enough. In order to fill this gap, I have the motivated to make another piece of work.
Throughout my career, I have tested things out and applied my knowledge. What I learn I will share, from practical advice to techniques and any other information l think might be useful. I will be fighting in the trenches with you, explaining and demystify how an artist can support a creative life.
Related posts, What is my motivation as an artist?
When I saw Christo’s new art project in Hyde Park London and read his quote, “A work of art is a scream of freedom,” I know I needed to tell you about how I see art contributing to society.
Every artist contributes to society in their own special way. Artists look to find ways to engage the wider pubic through their work to consider and reconsider the way they see the world. Whether it is contributing to overall health and wellbeing of our society by rethinking about what we are doing and considering in new approaches or by providing inspiration, interaction and joy to uplift the spirit.
Being an artist for me is a licence to look deeply; to follow my curiosity, to unpick and to make new connections with what I see. We live on this small rock in a massive universe without an accurate understanding of what it is all about. I perceive making art as a form of therapy to open up the world and open up people’s minds to a higher spectrum. To deal with and come to terms with everyday life.
“The first step to controlling your world is to control your culture. To model and demonstrate the kind of world you demand to live in. To write the books. Make the music. Shoot the films. Paint the art.” Chuck Palahniuk, American novelist and journalist
To my eyes painting is the best way to communicate and connect with others within a collective effort. I am not trying to convey the world as I see it. As an artist, I absorb it and try to communicate the world as it really is.
I have an intellectual curiosity and commitment to bring the truth to light. Through my art making, I want to be known for using my artistic creativity to widen and broaden the visual field. Therefore, reveal a whole new range of potential meaning.
There are many benefits of living in an exciting contemporary culture. I see myself as part of a community whose work can make a significant contribution to society and the world today. I want to contribute to human growth by joining into the conversation.
“If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him.” John F Kennedy
Related blog post; how I see art contributing to society
As we grow up, there is lots of pressure on us to fit into society. We sometimes look with envious eyes at what others have achieved. At school, it is intellectual abilities that seem to count and in the media popular attractive pin-ups stand out. As we compare ourselves to others we can conclude that we are just not good enough. These thoughts can affect our ego and our spirit. If we withdraw we lose our footing, and then, when we try again, come up short. If we are not careful this can grow up into jealousy of other artist’s work and achievements.
When I was an art student I looked at a wide range of art. Enviability I was blown away by the work of successful artists. I compared my skills, talent, ability, knowledge and my output against what other artists produced. I ended up continually watching what others were doing. The outcome was inevitable. These thoughts began to limit my ability to think creatively, and they became overwhelming. I started to feel I didn’t deserve to be an artist and it threatened my self-worth.
A way forward without being jealous of other artist’s work
To be a successful artist I needed to figure out a way to unlearn what was causing me harm. A way was to stop comparing myself to others. It was counterproductive feeling. I realised that there was no way I was able to make the same work as another artist, and I didn’t want to.
I realised that l should not be competing with other artists, I needed to run my own race. It’s my process and my path. My work isn’t going to look like other artists. I am now fully aware that if I get distracted by looking at other artist’s outputs, I will lose my energy and focus. If l allow myself to become distracted then I will have to learn to refocus and listen to my inner voice again.
I now give myself artistic permission to be myself and make what I want. It is important to be acknowledged for my individuality and I have different strengths to my peers. I look at what makes me unique, and push it forward in my work.
Now when I need inspiration, I look in lots of places. I may look at other artist’s work to learn their processes but I don’t compare my output with their output. Instead, I feed off the creative ideas, take what l want and develop my own perspective and viewpoint. I avoid jealousy of other artist’s work because my own ideas are developing and growing.
A group of scientists recently looked into the most effective ways of learning. They suggested that long sessions and all-nighters don’t give us the best opportunity to learn. After reading about this 12 months ago, I changed my weekly studio calendar. I found from a simple change, there are advantages for developing your artistic practice and increasing learning in the studio. I now visit my studio multiple times in a week and do 2-3 hours, I not only achieve more, I also learn more.
Related link to; ‘increasing your learning in the studio’
This is because our minds store information in many different places in our brains. This process strengthens the connections in our brain. With regularly spaced repetition we can make the most out of the way our minds work and achieve better retention of skills and knowledge.
It is mainly down to the frequency and the spacing of the intervals. So rather than visiting the studio once a week, try many shorter visits while repeating creative tasks. When you come and go you strengthened your knowledge. In the absence, your mind subconsciously works to resolve issues in your work. Ideas and solutions pop up when your away from the studio.
The moments in the artist’s studio are under our control. Anything that happens to your work outside the studio after it is made is out of your control. While opportunities to show your work are extra special they not supposed to be the reason for making the artwork. The reason why I am an artist and why I work on my artistic practice is focused on learning and advancing in the studio. By making something purposeful, I am feeding and enhancing my life’s work. I hope this piece of advice helps improvement at a faster pace. Afterall, the journey is the goal.
Related post to; ‘increasing your learning in the studio’
In 2012 Neil Gaiman gave a commencement speech for the University of Arts in Pennsylvania. Neil Gaiman is a writer of novels, comic books, graphic novels, audio theatre and films. He was born in Hampshire, UK, and now lives in the United States near Minneapolis. Neil’s most notable works include The Sandman, Stardust, American Gods, Neverwhere, Coraline and The Graveyard book. He has also been honoured with many international awards. His speech is packed full of helpful advice for creative people.
I thought I would write this blog post and highlight many of the learning points l found in it.
“Instead of having a career plan, make a list of everything you want to do and just do the next thing on the list.”
“Goals are like mountains in the distance.” Set them and be clear what they are.
“Do things that feel like an adventure. Learn to write by writing. [For a painter, learn to paint by painting]. Stop when it feels like work.”
“A life in the arts, is sometimes like putting messages in bottles on a desert island, and hoping that someone will find one of your bottles, open it and read it, and put something back in a bottle that will wash its way back to you: appreciation, or a commission, or money, or love. But you have to accept that you may put out a hundred things for every bottle that winds up coming back to you.”
“Nothing I did where the only reason for doing it was the money, was ever worth it.” If you do things you’re proud of and if you don’t get paid, at least you will be proud of your work.
“The problems of success. They’re real, and with luck, you’ll experience them all. The point where you stop saying yes to everything is because now the bottles you threw in the ocean are all coming back, and you have to learn to say no.”
“Write fewer emails, write [and paint] more.”
“Get out there and make mistakes.”
After you have finished copying things remember, “The moment that you feel that, just possibly, you’re walking down the street naked, exposing too much of your heart and your mind and what exists on the inside, showing too much of yourself. That’s the moment you may be starting to get it right.”
“Do the stuff only you can do.”
“You should enjoy it, let go and enjoy the ride. Don’t worry about the next deadline or the next idea.”
“Make up your own rules.”
“Pretend that you’re someone who is already successful… and pretend to be wise.”
“Make good art!”
“And now go, and make interesting mistakes, make amazing mistakes, make glorious and fantastic mistakes. Break the rules. Leave the world more interesting for your being here. Make good art.”
I have a modern house and l love having modern art on the walls. My art collection personal to me.
I also enjoy spending time in London visiting museums and galleries. I appreciate having time to look at a variety of artist’s work and considering their different styles and types of work. Artists are generally in the know and are usually very helpful. I also try to go to alternative spaces to meet artists. I learn a lot by talking to artists and uncovering who they admire and who influences who, and what they think about other artists. If the same name keeps cropping up l take notes and do my own research on them.
I often go online to find which dealers are working with particular artists. Sometimes I go on Artnet.com to see the prices that artists sell their work for, it gives me a better understanding of the art market.
I like to visit art school on their open days like the Royal College of Art or the Royal Academy Schools. It’s an added advantage to spend time in an art school, l may come across a piece l like and try to remember it’s been done before. Having knowledge of what has been done in the past is particularly important if you are looking to buy or make modern art.
I listen carefully to the advice l get from galleries, curators and collectors. Personally, I’ve never used art consultants but l have heard that they can be very helpful. I don’t follow trends, l like what l like. I am interested in art that is personal to me.
Related post to; An artist’s advice to finding art
As humans beings, we have an extraordinary ability to recognise an image and label it. A silhouette of a person is instantly recognisable. A two-dimension shape of the figure is not human, but we can read it as an image of a person. I am interested in using this extraordinary ability to record and to explore the structure and nature of reality.
My new painting, ‘Empire State of Mind,’ has a lot to do with how my mind is working on and wondering about my instincts regarding perceptual information. I am trying to show and paint what I see. I’m not inventing; I’m investigating how things look. I’m an image maker, painting the previously hidden nature of things. I receive an emotional response from an image as I discover an optical relationship and create a striking composition. I have stepped away from the conventional representation of reality in order to be competitive with it. The deeper I go into this practice of painting, the more mysterious it becomes.
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On entering my studio, I often find myself in a low emotional state, where I am not in the mood to make work. This often happens when I have rushed around to get the kids to school, tidied up and done some basic housework. On those mornings I feel worn out before the day of work has started. I am very conscious that I am tired and overwhelmed with life and it all pressures. However, I am also often determined to try to move out of this negative state of mind and get back to being productive.
I have realised that by preparing what I am going to do the night before, as explained in a previous blog post, helps me to know what to do first. But sometimes my energy is so low not even this is enough to get me going.
In order to wake me up and change my energy levels, l find a hot or a cold shower helps to reinvigorate me. I follow this by sitting in an upright position and focusing on controlling my breathing. I think about what I am grateful for, what I appreciate and what makes me feel alive. I appreciate my relationships, I have a lovely family and happy place to live. I am grateful and lucky to have the opportunity to be creative and paint regularly in my studio. The last part of this re-focusing is to go for a short walk to remind myself of my conviction as an artist. A change of location can make a big difference. I feel the sun, wind or the rain on my face. All this takes no more than 30 minutes.
The real trick is to do more of what works and less of what doesn’t. My unconscious mind needs time to sort itself out. I need space to pose open questions concerning my next piece of work. I mull over issues and gently filter out my distracting, conscious thoughts. This process stops the excessive focus on myself and feels like a reset and a physical transformation. It creates a natural high until I can’t wait to get back to work and I haven’t got a moment to lose.
As an artist, my work is an extension of me. Each painting has its own interesting story to tell and I enjoy disclosing anecdotes of how the work came into being. A painting has its own power. When a striking artwork makes a connection and speaks to the viewer, it invokes a deeply personal relationship.
Everyone reads each piece of art differently. I find it very gratifying to discover how art lovers respond to my work. I love to hear different and engaging interpretations. I get an overwhelming feeling of happiness when I can see this connection occurring on a persons face as they light up.
Art is not about the potential value; what it costs or what it is worth. Art shouldn’t be seen a financial investment or a commodity. A vibrant, bold and skilful painting should bring pleasure and make you think. It should add an extra dimension to any room it is hung in.
Owning a piece of art is about looking at it and enjoying it. This emotional affinity creates a tremendous, heartwarming feeling. Once the purchase is made it becomes part of its owner’s life and integral to their home and their identity.
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