When I saw Christo’s new art project in Hyde Park London and read his quote, “A work of art is a scream of freedom,” I know I needed to tell you about how I see art contributing to society.
Every artist contributes to society in their own special way. Artists look to find ways to engage the wider pubic through their work to consider and reconsider the way they see the world. Whether it is contributing to overall health and wellbeing of our society by rethinking about what we are doing and considering in new approaches or by providing inspiration, interaction and joy to uplift the spirit.
Being an artist for me is a licence to look deeply; to follow my curiosity, to unpick and to make new connections with what I see. We live on this small rock in a massive universe without an accurate understanding of what it is all about. I perceive making art as a form of therapy to open up the world and open up people’s minds to a higher spectrum. To deal with and come to terms with everyday life.
“The first step to controlling your world is to control your culture. To model and demonstrate the kind of world you demand to live in. To write the books. Make the music. Shoot the films. Paint the art.” Chuck Palahniuk, American novelist and journalist
To my eyes painting is the best way to communicate and connect with others within a collective effort. I am not trying to convey the world as I see it. As an artist, I absorb it and try to communicate the world as it really is.
I have an intellectual curiosity and commitment to bring the truth to light. Through my art making, I want to be known for using my artistic creativity to widen and broaden the visual field. Therefore, reveal a whole new range of potential meaning.
There are many benefits of living in an exciting contemporary culture. I see myself as part of a community whose work can make a significant contribution to society and the world today. I want to contribute to human growth by joining into the conversation.
“If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him.” John F Kennedy
Related blog post; how I see art contributing to society
It is easy to be impressed by the work of Jeff Koons. He has an impressive art career and has gained international success. Koons has developed a secure grip on the art market and he can make whatever he wants. He often turns the popular; Michael Jackson with his pet monkey or scoops of Play-doh; into an expensive ceramic or stainless steel sculpture.
Plus, Koons is not afraid to make work that could potentially alienate him. It is easy to sneer at his works based on topics like guilt and shame. After all, we are all bound by our own unconscious and conscious signals. He openly encourages opinions on his art saying there is no right or wrong interpretation. His art challenges the idea that art needs emotional depth and taste. Koons work, whether your ambivalent about it or not, it clearly reflects our age and society especially his gazing balls and balloon dog.
Jeff Koons describes Balloon Dog: “It’s very mythic. There’s a sense of the interior to the piece, which is a bit like a Trojan piece. It’s very now – it’s like a balloon from a birthday party, and because it’s inflated, you imagine the birthday party was recent, not 20 years ago. A normal membrane of a balloon from 20 years ago would be completely deflated. At the same time, there’s a mythic and ritualistic quality; you can imagine people going around Balloon Dog in a sort of dance. A tribalistic quality.”
However, instead of just enjoying his work I am often distracted by the hype that surrounds it. He takes a couple of things from contemporary life that are somewhat one dimensional then puts them together to try to create a new meaning. They become carries or cyphers as Koons seeks to get you to think. Nevertheless, I feel his work lacks empathy and intellectual curiosity. Once you understand the idea behind a piece of his art, there is no hidden depth. For me, his wealth has become the spectacle and not for the right reason.
Koons has taken the idea of turning art into a business to a whole new level. He has developed a style of work that does not include the ‘original’ artistic hand. Instead, he employs specialist highly skilled artists and craftspeople to bring his concept to life while he focuses on micromanaging the output.
In doing so, Koons creates a new religion for art that celebrates the shallowness of capitalism and celebrity as his ego seeks to promote himself as the modern-day equivalent of the great artists of the past.
Whether you like his work or not his art does come across as uplifting and joyful. But I am sceptical about the broader intentions of such art. This leads me to find what he does and his unflinching confidence and self-belief admirable, while at the same time, disagreeable.
Eric Fischl was born in 1948 in New York City, his suburban upbringing and career as an internationally acclaimed American artist is presented in his book ‘Bad Boy’.
Fischl shares his deep wounds when discussing his personal relationships, especially with his depressed and alcoholic mother. These troubling experiences made their way into his artwork creating a dialogue about his personal wounds and ironically they ultimately lead to him getting into trouble.
The death of Fischl’s mother inspired the work he became famous for. It is interesting that after his first solo show in New York at the Edward Thorp Gallery in 1979 and the following success lead to him ‘going off the rails’ as the book title suggests and he enjoyed success a little too much.
Fischl’s book is informative and helpful to other artists. There are interesting advice and tips on how to deal with the process of being a successful artist and he discusses the issues and ideas in his work.
Eric Fischl says in the book,
“Painting is a process that guides me back through complex experiences that I didn’t have words to describe or understand. It relieves feelings and memories and brings them forward with clarity and resolution. Each one of my paintings is like a journey, a process to excavate nuggets of emotion, artefacts of memory, the treasures buried in my unconscious. My imagery evokes feelings that were once too painful to ephemeral or too embarrassing to articulate or even to remember.”
Eric Fischl’s ideas are well developed and considered as you would expect from someone who has had international success as an artist. He uses clear, convincing and honest language. I think the book is a good read and has lots of information and advice about dealing with life an artist. I enjoyed reading it and strongly recommend it.
Often I think viewers look at works of art and immediately ask themselves why did the artist make this? Understanding the original idea or intention of why I made it defeats my ambitions for this artwork. Instinct led me to paint this painting. My aims are never going to be clear.
“the only thing that matters in art is what that cannot be explained.”
A person viewing an artwork comes to see the work with their own unique background, knowledge, and history. Art does not have a purpose and function like a design. It is not essential to try and understand why I made this artwork. The artwork now exists on its own, and it has to stand up by itself.
Everyone sees things differently. Two things are put together, and they create meaning. The best artworks in my eyes mean different things to different people.
Like Duchamp said;
“the artist has only 50% of the responsibility and that is to get the work out, it is completed by the viewer.”
I’m interested in this part of myself where this artwork comes from. The parts of life I am curious about exploring and that I am hung up on. I’m not in control of what comes out. Creativity is instinctive, and it is buried within me.