Breakfast with Lucian, book review

Lucian Freud, Breakfast with Lucian Book review, Stuart Bush Studio Blog
Lucian Freud, 1922-2011, Girl with a White Dog 1950-1, Oil paint on canvas 762 x 1016 mm © Tate
If you have ever wondered what an artist’s life would be like if they put art first at the expenses of relationships, friendships and family. If so, then this is the book to read.  For a few years before Lucian Freud’s death, Geordie Greig the editor from the Mail on Sunday was able to share breakfast with Lucian at his favourite restaurant, Clarkes on Kensington Church Street.  Greig’s book about Freud does a worthy job of sketching out the painter’s hedonistic personal life.  ‘Breakfast with Lucian’ is the story of an adulterous, brawler and rogue with no boundaries or restraints.
This book is written in the style of an author’s note.  Interesting facts and aspects of his life are uncovered within the writing.  There are many shocking tales of Freud, like the time he smelt a woman strong perfume in public, he raised his voice saying, “I hate perfume. Women should smell of one thing. Cunt! In fact, they should invent a perfume called cunt.”

Accompanying book review: Breakfast with Lucian

Eric Fischl's Bad Boy
Freud was never willing to apologise for his inexcusable behaviour.  His actions are like his paintings, were engaging and frighteningly real.  Greig tried hard to give an account of Freud’s life without judgement or blame but instead, at times, I found it gossipy.  It tends to focus on aspects of his life, like Freud’s role as a father.  I wanted a read a different type of book.  As an artist, I wanted to read about Freud’s ability to undress the human soul in his paintings.
Freud could sketch out a life for what it really was. He had the drive to work towards uncovering answer about being human. Freud explained that “When I’m painting people in clothes I’m thinking very much of naked people, or animals dressed.”  Freud was able to go beyond just painting, to create an ‘intensification of reality.’ He explains, “The longer you look at an object, the more abstract it becomes, and, ironically, the more real.” In his painting practice, he dug deep making this meaning visible for others to see, while everything in his personal life was left to rot.

Resources for Art Books:

Artbook.com
There was clearly a great sacrifice from the people around Freud who put up with the death threats, his scandalous sexual exploits and escaping the Krays. ‘Breakfast with Lucian’ is clearly entertaining, but in spite of that, I wanted to know more about what Freud achieved with his art than whisperings about his personal life.
My overriding feeling is that this is a book of anecdotes which does not try to explain truly explain Freud and the reasons behind his fantastic paintings. When reading it I had to remind myself that it was written by an editor from a daily rag who undoubtedly loves scandal.  It would a completely different book if it was written by an art critic, historian or even an art aficionado.
However, Freud indulgence in his art unquestionably doesn’t justify the way he conducted himself and the way he treated others. Throughout his life’s work, Freud revealed a spectacular spectrum of deep meaning about human life, one that many other artists would be fearful to delve into.

Accompanying book review: Breakfast with Lucian

On being an artist, by Michael Craig-Martin

Michael Craig-Martin’s book, ‘On being an artist’ – book review

All rights are reserved and are with the artist. ©1973 Michael Craig Martin, An Oak Tree (1973)

Michael Craig-Martin’s book titled ‘On being an artist’ is a collection of thoughts and notes that Michael has written and collected over the years. The book presents an interesting and insightful account of aspects of an artist’s life, the central themes of Michael’s work and the way he sees the contemporary art world. The book covers Michael’s experiences that he has gained as an art tutor at Goldsmiths, teaching, Damian Hirst, Julian Opie and Gary Hume and as a successful international artist.

In the book, there are 151 texts written in an informal and sincere style. They are easy to understand and read, ranging from chapter titles such as, ‘On advice for aspiring artist,’ to ‘On British attitudes to contemporary art.’ The personal account and practice information is for art students as well as professional artists.  I am sure the book would also be interesting and engaging read for anyone who interested in creativity and the daily thoughts and practice of an artist.

Amazon link to – On being an artist

Michael’s clear and concise explanation of conceptual art through discussing, “An Oak Tree” (1973) one of the many interesting parts of the book.  The artwork creates a suspension of disbelief and highlights how conceptual art doesn’t exist in the object itself but in the mind of the viewer.  ‘An oak tree’ is a mental concept like all conceptual art that becomes a trigger to encourage contemplation.  The work highlights how art is a place inside your head where you can go, on your own and process the world and its complexities.

I enjoyed the clear and concise ideas, and concepts explained in a friendly and helpful manner.  It interesting to hear about the highs and lows of being a successful international artist and the difficult and challenging journey of finding your own path. I would highly recommend it for any aspiring artist.  Michael is certainly honest, and I found that very refreshing, “I would never advise anyone to become an artist. If you have another option, take it.”

Artbook reviews;

Eric Fischl’s Bad Boy

SaveSave

Book review – Eric Fischl’s ‘Bad Boy’

©Stuart Bush Blind boy (2007) oil on canvas 50 x 70 cm
©Stuart Bush Blind boy (2007) oil on canvas 50 x 70 cm

Eric Fischl was born in 1948 in New York City, his suburban upbringing and career as an internationally acclaimed American artist is presented in his book ‘Bad Boy’.

Fischl shares his deep wounds when discussing his personal relationships, especially with his depressed and alcoholic mother. These troubling experiences made their way into his artwork creating a dialogue about his personal wounds and ironically they ultimately lead to him getting into trouble.

The death of Fischl’s mother inspired the work he became famous for. It is interesting that after his first solo show in New York at the Edward Thorp Gallery in 1979 and the following success lead to him ‘going off the rails’ as the book title suggests and he enjoyed success a little too much.

Fischl’s book is informative and helpful to other artists. There are interesting advice and tips on how to deal with the process of being a successful artist and he discusses the issues and ideas in his work.

Eric Fischl says in the book, 

“Painting is a process that guides me back through complex experiences that I didn’t have words to describe or understand.  It relieves feelings and memories and brings them forward with clarity and resolution.  Each one of my paintings is like a journey, a process to excavate nuggets of emotion, artefacts of memory, the treasures buried in my unconscious. My imagery evokes feelings that were once too painful to ephemeral or too embarrassing to articulate or even to remember.”

Eric Fischl’s ideas are well developed and considered as you would expect from someone who has had international success as an artist. He uses clear, convincing and honest language. I think the book is a good read and has lots of information and advice about dealing with life an artist. I enjoyed reading it and strongly recommend it.

©1981 Eric Fischl, Bad boy, oil on linen, 170 cm × 240 cm - All rights reserved by Eric Fischl
©1981 Eric Fischl, Bad boy, oil on linen, 170 cm × 240 cm – All rights reserved by Eric Fischl

Link to the book on Amazon

SaveSave