A studio is a place of unique freedom; it is a place for me and my thoughts where I can figure things out. It is a place to use my intuition to look for problems, get things wrong, make mistakes and follow a hunch. I have learnt a way to lie to myself, and accept whatever comes out of the creative act is good enough.
I feel a strong need and desire to process the world. Thinking about my artwork is done in pencil and paint as I process what I see, as I look to figure how to process it. I believe that what I am trying to grasp through my art practice is of importance, to get a better understanding of the seemingly meaningless void, what we call life.
Through my practice as a painter if I painted nature I would want to paint the treeness of a tree, something that I strongly resonate with. In the lines and colours of my ephemeral moments I look to reflect a visual equivalent of the rhythm the city. The work deepens and expands to harmonise the whole. I paint my inclination of form from the structural elements of the figure in the city to express us. A simplified and symbolic vision that selects what is essential through reduction. In between representational and abstraction, reality and painting.
Josef Albers said in the Interaction of colour,
“In musical compositions, so long as we hear merely single tones, we do not hear the music. Hearing music depends on the recognition of the in-between of the tones, of their placing and their spacing.”
This quote is important to understand how I see individual pieces of my work in the studio as linked into a wider conversation I am trying to have. I notice the similarities between music, poetry and painting. Like David Salle said, an iconic image has the;
“visual equivalent of a tenor reaching a high note.”
I enjoy my opportunity to communicate my thought and ideas. I like to hear what you enjoy about your creative time. Please join in the conversation in the comment box below.
I have an inherent need to communicate and express something. I am constantly looking for a new way to read the world to understand the physicality of forms. I see my practice as an exercise of being a painter/curator of moments of our lives; reclaiming a more agreeable melody, restoring, reordering and decluttering to focus on what is truly important.
By focusing on the space and the possibilities of structure and composition, I hope to emphasise the beauty and harmony from the chaos in the city, to invoke a new reading of its noise, movement and pattern. By revealing things through a slow open process, my work uncovers the importance of the positive and negative space. Where rhythm, colour and form play off each other, and each shape takes it configuration and meaning from the next, as a metaphor for the qualities of a seductive poem or an intriguing piece of music.
There is truth in the paintings as I try to deal with the present tense and how these ephemeral junctures were for me. A situation and context where discoveries and revelations happen. There is a layered time as I grapple with evidence of awkward moments, aspects of failure and changes of direction. Leaving the physical traces of responding to mistakes, that relate to intrinsic qualities of being human.